Leevi Madetoja
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More about Leevi Madetoja
Leevi Madetoja is widely recognized as one of the most significant Finnish contemporaries of Sibelius, under whom he studied privately from 1908–10. The core of Madetoja's oeuvre consists of a set of three symphonies, arguably the finest early-twentieth century additions to the symphonic canon of any Finnish composer, Sibelius excepted. As central to Madetoja's legacy is Pohjalaisia (The Ostrobothnians, 1923), proclaimed Finland's "national opera" following its successful 1924 premiere and, even today, a stalwart of the country's repertoire. Madetoja has in recent decades enjoyed a renaissance, as the recording projects of a number of Nordic orchestras and conductors evidence. His idiom is notably introverted for a national romantic composer, a blend of Finnish melancholy, folk melodies from his native region of Ostrobothnia, and the elegance and clarity of the French symphonic tradition, founded on César Franck and guided by Vincent d'Indy. His music also reveals Sibelius's influence.
Leevi Madetoja sheets music on nkoda
Edition/Parts
Composer/Artist
Part
Source
Old Folk Dances, op. 64b
Leevi Madetoja
Fennica Gehrman
Sonatine, op. 19
Leevi Madetoja
Piano & Violin
Fennica Gehrman
Polska I (from 'Old Folk Dances')
Leevi Madetoja
Fennica Gehrman
Suru – Elegie, op. 14/2
Leevi Madetoja
Fennica Gehrman
The Word of the Master, op. 71a/2
Leevi Madetoja
Piano & Voice
Fennica Gehrman
Kansanlaulu, Suru, Menuetti, op. 14/1-3
Leevi Madetoja
Fennica Gehrman
Pienoiskuvia / Miniatyrer, op. 21
Leevi Madetoja
Piano
Fennica Gehrman
Old Folk Dances for Clarinet or Violin: Polska II
Leevi Madetoja
Fennica Gehrman
Six pieces for piano, op.12/1-6
Leevi Madetoja
Piano
Fennica Gehrman
Democracy
Leevi Madetoja
Piano & Voice
Fennica Gehrman
Timandran laulu / Timandra, melodraama, op. 6/1
Leevi Madetoja
Piano & Voice
Fennica Gehrman
Unikuva / Drömbild, ja Tanssi / Dans, op. 14/4-5
Leevi Madetoja
Fennica Gehrman
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