Kai Nieminen

Kai Nieminen

19 pieces at nkoda

nkoda sheet music library

over 100k editions from $9.99/month

Hassle-free. Cancel anytime.

available on

nkoda digital sheet music subscription

Editions
Annotate
Library
Perform

100k+ available Editions

Kai Nieminen studied the guitar at the Conservatory of Central Finland and the Sibelius Academy and musicology at the University of Jyväskylä. He has also studied composition with Stepán Rak and Pekka Kostiainen and attended master classes with George Crumb, Paavo Heininen, Jukka Tiensuu and Theo Lowendie. As a guitarist Kai Nieminen has given recitals and appeared as soloist with several orchestras and acted as a member of the jury of the Fernando Sor Guitar Competition.  Nieminen has composed a number of orchestral works, including three symphonies. He is especially known for his concertos, e.g. for the flute (Palomar, 2001), clarinet (Through Shadows I Can Hear Ancient Voices, 2002), violin (‘Il viaggio del cavaliere... (inexistente)’, 2005), piano (Reflections… In the Enchanted Waves of Time, 2005), oboe (Somni de Gaudi, 2008), guitar (‘If on a Winter's Night a Traveller’, 2009) as well as cello and accordion (Marcovaldo, 2012). His list of works also includes vocal music, a wealth of chamber music and works for solo instruments – especially the guitar, his own instrument.  Nieminen does not fill his score to the brim but instead allows the instruments room to breathe. The delicate, fragile and airy texture of his orchestral works is often more in the nature of intimate chamber music allowing the various instruments to express their intrinsic characteristics and timbres. He is inspired by cultural and temporal planes and linking the past with the present. He regards himself as a tone painter of fantasies from the life around him and finds his sources of inspiration often in literature, but also in the visual arts and nature. However, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire the listeners’ imagination and to make them savour musical visions with an open mind.

INSTITUTIONAL PARTNERS

PUBLISHERS PARTNERS

TESTIMONIALS

I’m tremendously excited to think of young singers without direct access to classical music training using this application.

Joyce DiDonato

Singers

nkoda is really clever; it's like a view into the future of making music.

Sir Simon Rattle

Conductor